'Failing to fetch me at first keep encouraged, Missing me one place search another, I stop some where waiting for you.' - Song of Myself First published by Walt Whitman in 1855, Leaves of Grass introduced the world to a new and uniquely American form of poetry. Alive with the mythical strength and vitality that epitomised the American experience in the nineteenth century, and published here with rarely collected illustrative woodcuts by Rockwell Kent, Leaves of Grass continues to inspire, uplift and unite.

HarperCollins is proud to present its incredible range of best-loved, essential classics. I believe a leaf of grass is no less than the journey work of the stars... First published in 1855, and edited, revised and expanded over thirty years, 'Leaves of Grass' has become one of the most celebrated poetry collections in the history of American literature. A master of free verse, Walt Whitman captures the true spirit of his homeland and its people through his poetry. He explores a wide range of themes, encompassing American identity and cultural values, democracy, nature and the mysteries of the human spirit. Featuring the poems of the original 1855 edition, 'Leaves of Grass' remains an influential work within the American literary tradition, studied and treasured around the world.

From the introduction by Galway Kinnell:

The poems of Walt Whitman meant little to me when I read them in high school and college. Luckily, when I was teaching at the University of Grenoble in my late twenties, I was required to give a course on Whitman. My experience of Leaves of Grass then was intense. . . . Soon I understood that poetry could be transcendent, hymn-like, a cosmic song, and yet remain idolatrously attached to the creatures and things of our world. . . . Once again, as when I first began writing, it seemed it might be possible to say everything in poetry.

This sourcebook includes the full text of Song of Myself. Since 1855, Walt Whitman's Song of Myself has been enjoyed, debated, parodied and imitated by readers, critics and artists crossing national and linguistic boundaries. Many argue that it is the most influential poem ever written by an American. This sourcebook and critical edition provides easy access to: *information on the contexts of Whitman's work, including biographical details and a chronology *an overview of the critical reception of the poem and extracts from important criticism, reprinted with clear introductory headnotes *key passages from the original 1855 edition, with commentary and annotation *the full 'final' 1881 edition of the poem. Cross-references link the critical, contextual and textual sections of the volume, encouraging an integrated understanding of this creative and controversial text. Complementing a wealth of material with suggestions for further reading, this volume is ideal for readers with no knowledge of the poem, or for those returning anew to a favourite text.

When Walt Whitman self-published "Leaves of Grass" in 1855 it was a slim volume of twelve poems and he was a journalist and poet from Long Island, little-known but full of ambition and poetic fire. To give a new voice to the new nation shaken by civil war, he spent his entire life revising and adding to the work, but his initial act of bravado in answering Ralph Waldo Emerson's call for a national poet has made Whitman the quintessential American writer. This rich cross-section of his work includes poems from throughout Whitman's lifetime as published on his deathbed edition of 1891, short stories, his prefaces to the many editions of "Leaves of Grass," and a variety of prose selections, including "Democratic Vistas, Specimen Days," and "Slang in America."

Since 1855, Walt Whitman's Song of Myself has been enjoyed, debated, parodied and imitated by readers, critics and artists crossing national and linguistic boundaries. Many argue that it is the most influential poem ever written by an American. This sourcebook and critical edition provides easy access to: * information on the contexts of Whitman's work, including biographical details and a chronology * an overview of the critical reception of the poem and extracts from important criticism, reprinted with clear introductory headnotes * key passages from the original 1855 edition, with commentary and annotation * the full 'final' 1881 edition of the poem. Cross-references link the critical, contextual and textual sections of the volume, encouraging an integrated understanding of this creative and controversial text. Complementing a wealth of material with suggestions for further reading, this volume is ideal for readers with no knowledge of the poem, or for those returning anew to a favourite text.

Following the texts is an album of portraits of Whitman, as well as "Whitman on His Art," a collection of Whitman's statements about his role as a poet taken from his notebooks, letters, conversations, and newspaper articles. While continuing to provide leading commentary on Whitman by major twentieth-century poets and critics, among them D. H. Lawrence, William Carlos Williams, and Randall Jarrell, this revised edition adds important commentary by Whitman contemporaries Henry David Thoreau, Fanny Fern, Henry James, and Oscar Wilde, among others. An entirely new section of recent criticism includes six essays--by David S. Reynolds, Karen Sanchez-Eppler, John Irwin, Allen Grossman, Betsy Erkkila, and Michael Moon--that reflect both the continuing historicist mainstream of Whitman literary interpretation and influential recent work in gender and sexuality studies. The volume also includes a Chronology, a Selected Bibliography, and an Index of Titles.

With an Introduction and Bibliography by Stephen Matterson, Trinity College, Dublin. Walt Whitman's verse gave the poetry of America a distinctive national voice. It reflects the unique vitality of the new nation, the vastness of the land and the emergence of a sometimes troubled consciousness, communicated in language and idiom regarded by many at the time as shocking. Whitman's poems are organic and free flowing, fit into no previously defined genre and skilfully combine autobiographical, sociological and religious themes with lyrical sensuality. His verse is a fitting celebration of a new breed of American and includes 'Song of Myself', 'Crossing Brooklyn Ferry', the celebratory 'Passage to India', and his fine elegy for the assassinated President Lincoln, 'When Lilacs Last in the Dooryard Bloom'd'.

From the highly controversial Leaves of Grass, with its overt sexual imagery and delight of sensual pleasures, to the iconic Captain, oh my captain immortalised in the film Dead Poets Society, this short collection is the ideal introduction to the poetry of Walt Whitman. One of the greats, he was celebrated both during his lifetime and ever since - he is widely considered to be the father of free verse. During the American Civil War he worked in hospitals caring for the wounded, and his own funeral in 1892 was a public event. In the words of the modernist poet Ezra Pound, Walt Whitman was 'America's poet . . . he is America'.

Ralph Waldo Emerson issued a call for a great poet to capture and immortalize the unique American experience. In 1855, an answer came with "Leaves of Grass."
Today, this masterful collection remains not only a seminal event in American literature but also the incomparable achievement of one of America's greatest poets--an exuberant, passionate man who loved his country and wrote of it as no other has ever done. Walt Whitman was a singer, thinker, visionary, and citizen extraordinaire. Thoreau called Whitman "probably the greatest democrat that ever lived," and Emerson judged "Leaves of Grass" as "the most extraordinary piece of wit and wisdom America has yet contributed."
The text presented here is that of the "Deathbed" or ninth edition of "Leaves of Grass," published in 1892. The content and grouping of poems is the version authorized by Whitman himself for the final and complete edition of his masterpiece.
With a foreword by Billy Collins, an afterword by Peter Davison, and a new introduction by Elisabeth Panttaja Brink

The most extraordinary piece of wit and wisdom that America has yet contributed. -- Ralph Waldo Emerson. Inspired by transcendentalism, Whitman's immortal collection includes some of the greatest poems of modern times, including his masterpiece Song of Myself. Shattering standard conventions of symbolism and allegory, it stands as an unabashed celebration of body and nature.

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collections first appearance in 1855 through the posthumous Old Age Echoes annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of When Lilacs Last in the Door-Yard Bloomd and O Captain my Captain Volume III features the poems 18701891, plus the Old Ages Annex and an index to the three-volume set. Sculley Bradley was Vice-Chancellor of the University of Pennsylvania. Harold W. Blodgett was Professor of English at Union College. Arthur Golden was Professor of English at City College at the City University of New York. William White was Professor and Director of the Journalism Program at Oakland University.

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collections first appearance in 1855 through the posthumous Old Age Echoes annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of When Lilacs Last in the Door-Yard Bloomd and O Captain my Captain Volume III features the poems 18701891, plus the Old Ages Annex and an index to the three-volume set. Sculley Bradley was Vice-Chancellor of the University of Pennsylvania. Harold W. Blodgett was Professor of English at Union College. Arthur Golden was Professor of English at City College at the City University of New York. William White was Professor and Director of the Journalism Program at Oakland University.

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collections first appearance in 1855 through the posthumous Old Age Echoes annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of When Lilacs Last in the Door-Yard Bloomd and O Captain my Captain Volume III features the poems 18701891, plus the Old Ages Annex and an index to the three-volume set. Sculley Bradley was Vice-Chancellor of the University of Pennsylvania. Harold W. Blodgett was Professor of English at Union College. Arthur Golden was Professor of English at City College at the City University of New York. William White was Professor and Director of the Journalism Program at Oakland University.

General Series Editors Gay Wilson Allen and Sculley Bradley

Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets.

The two-volume set of Prose Works 1892 proves that Whitman's prose has a quality no less original and distinctive than his poetry.

Originally written and published as newspaper dispatches, Specimen Days is a collection of Whitman's on-the-spot notes of his experiences as a volunteer nurse in the hospitals in and around Washington during the Civil War. It contains, too, his nature studies, jotted down at the Stafford Farm near Camden during the years of convalescence after his paralysis in 1873. In these records of his observations, Whitman's love and devoted care of the individual soldiers overshadow his concern for the course of the war itself and his interest in its major personalities. He sees, above all else, the wounded men in front of him, and these he describes in the simple, direct language that unmistakably marks his poetry as well.

Praise for the original edition:

"Indispensable for the serious student of American literature, these volumes should be purchased by every college, university, and large public library."
--"Library Journal"

General Series Editors Gay Wilson Allen and Sculley Bradley

Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets.

Daybooks and Notebooks is an invaluable source for reference on Whitman's daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman's Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one.

When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, "He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages." Volume I thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.

Praise for the original edition:

"These are important books for serious study of Whitman's life and work and need to be present in every graduate and research library."-"Choice"

General Series Editors Gay Wilson Allen and Sculley Bradley

Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets.

Daybooks and Notebooks is an invaluable source for reference on Whitman's daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman's Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one.

When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, "He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages." Volume I thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.

Praise for the original edition:

"These are important books for serious study of Whitman's life and work and need to be present in every graduate and research library."-"Choice"

General Series Editors Gay Wilson Allen and Sculley Bradley

Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets.

Daybooks and Notebooks is an invaluable source for reference on Whitman's daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman's Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one.

When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, "He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages." Volume I thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.

Praise for the original edition:

"These are important books for serious study of Whitman's life and work and need to be present in every graduate and research library."-"Choice"

General Series Editors Gay Wilson Allen and Sculley Bradley

Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets.

Notebooks and Unpublished Prose Manuscripts gathers Whitman's autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America's prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry--first drafts of some of the poems are included as they appear in the notes--and as the basis for his lectures.

Praise for the original edition:

"Every teacher of graduate students in Whitman and American literature in general will wish to have this edition in his university and perhaps home library."
--"American Literature"

General Series Editors Gay Wilson Allen and Sculley Bradley

Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets.

Notebooks and Unpublished Prose Manuscripts gathers Whitman's autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America's prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry--first drafts of some of the poems are included as they appear in the notes--and as the basis for his lectures.

Praise for the original edition:

"Every teacher of graduate students in Whitman and American literature in general will wish to have this edition in his university and perhaps home library."
--"American Literature"

General Series Editors Gay Wilson Allen and Sculley Bradley

Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets.

Notebooks and Unpublished Prose Manuscripts gathers Whitman's autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America's prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry--first drafts of some of the poems are included as they appear in the notes--and as the basis for his lectures.

Praise for the original edition:

"Every teacher of graduate students in Whitman and American literature in general will wish to have this edition in his university and perhaps home library."
--"American Literature"